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August 2001

August 6

When we see that staying with a pain from which we habitually recoil can lead to...transformation, it makes us question one of our basic assumptions: that we must reject that which does not feel good. Instead, we discover, even pain can be interesting.
Mark Epstein
Thoughts without a Thinker

August 13

Extending this lesson, however, using confluent approaches, one might have the children remain on the dreary assembly line, perhaps all day... A large number of people in our technocratic society are faced with this kind of frustration and despair. We are told that society needs assembly lines because of the demands for increased production. At the same time we know of the dramatic need for individual members of society for some sense of fulfillment, for actualizing or realizing themselves in some way. So we now have a polarity, a direct confrontation between the needs of individuals and the needs of society: that individuals need to feel that they are doing something personally meaningful in a major area of their lives, that they are exercising their potential creativity no matter how humble the work, that they are doing something which makes them feel less like a part of a machine and more like a human being; but the society in which these individuals live demands increased production, and the individuals themselves may be partially responsible for those demands. Thus we have a classical ambiguity -- in effect, almost a paradox. What is the answer? There is no single answer. There are many possible answers.
George Isaac Brown
The Live Classroom (p. 104)

August 20

The one sure principle of composition, as of imagination, is that nothing comes from nothing; ex hihilo nihil fit: nothing can be made from nothing. Recent textbooks in compostion have begun to show signgs of an interest in the subject of invention, thought he process seems unclear, if not misconceived. The first use of language that a student of composition has to learn, I think is in the generation of chaos. If we don't begin there, we falsify the composing process because composition requires choosing all along the way, and you can't choose if there are no perceived alternatives: chaos is the source of alternatives. If we are unwilling to risk chaos, we won't have provided our students with the opportunity to discover that ambiguities are, as I. A. Richards has said, "the hinges of thought."
Ann E. Berthoff
The Making of Meaning (pp. 74-75)


 

August 27

A few random thoughts on boundaries from Ken Wilber's book No Boundaries
The particular thing about a boundary is that, however complex and rarefied it might be, it actually marks off nothing but an inside vs. an outside. For example, we can draw the very simplest form of a boundary line as a circle, and see that it discloses an inside versus an outside... But notice that the opposites of inside vs. outside didn't exist in themselves until we drew the boundary of the circle. It is the boundary line itself, in other words, which creates a pair of opposites. In short, to draw boundaries is to manufacture opposites. Thus we can start to see that the reason we live in a world of opposites is precisely because life as we know it is a process of drawing boundaries. (p. 19)
...every boundary line is also a potential battle line, so that just to draw a boundary is to prepare oneself for conflict. ..."Where to draw the line?" really means, "Where the battle is to take place."
The simple fact is that we live in a world of conflict and opposites because we live in a world of boundaries. Since every boundary line is also a battle line, here is the human predicament: the firmer one's boundaries, the more entrenched one's battles. The more I hold onto pleasure, the more I necessarily fear pain. The more I pursue goodness, the more I am obsessed with evil. The more I seek success, the more I must dread failure. The harder I cling to life, the more terrifying death becomes. The more I value anything, the more obsessed I become with its loss. Most of our problems, in other words, are problems of boundaries and the opposites they create. (p. 20)
...those lines [in nature], such as the shoreline between land and water, don't merely represent a separation of land and water, as we generally suppose. As Alan Watts pointed out so often, those so-called "dividing lines" equally represent precisely those places where land and water touch each other. Tat is, those lines join and unite just as much as they divide and distinguish. These lines, in other wards, aren't boundaries!
Ken Wilber
No Boundary (pp. 19-20)

Comment:

Wilber goes on to make the point that "a line, whether mental, natural or logical doesn't just divide and separate, it also joins and unites." It occurs to me that the line that is being drawn between school and society is just such a line. For example, George W. Bush (I'm sorry, but I can't use the word President) is accentuating the "boundary/battle" line between school and society as a means to push his agenda for vouchers and standardized education (which also will benefit certain corporate interests). But is the problem really on the school side of the boundary line?
It is very easy to draw a line, a boundary, between school and society and say that school is not doing its job. The truth of the matter is that the school is a part of society. The sidewalk in front of our schools is not a boundary separating "us" from "them." It is a line we use to differentiate two different areas of one culture.
To blame the schools exclusively for problems is foolish. In Jungian psychology it is called "projection," where we project those character attributes we don't want to acknowledge or admit onto someone or something else. Then we can attack in the other what we don't like in ourselves. Society has abandoned its children, turned them into a market, into a corporate bottom line. We have stolen their childhood from them by forcing upon them adult decisions, adult challenges and adult duties (such as working). Society has done this, not the schools, but the boundary the politicians have drawn between them (society) and us (teachers or schools) is a very convenient tool to allow the society to deny its own failings. School becomes a scapegoat.
We even draw boundary lines within our schools and our classrooms. The high school where I teach has football "rallies" in with the opponent is mocked and vilified. The boundary line is drawn. The great irony is that without the opponent, there would be no game. Our opponents are not on the other side of the boundary; they are the necessary, complimentary opposite in the game. It is the tension between the opposites which creates the excitement, and the boundary, rather than separating us, is the point where we join in an expression of sport. I have tried, with little luck, to change the nature of the rallies. Unfortunately, our school reflects the culture which creates it: confrontational, punitive, self-centered, proud to a fault, and "number one," whatever that means.
Of course lines of demarcation are needed. Lines are how we sort and classify different aspects of our world. However, we must realize that, as in the case of Wilber's circle, the part is still of in the whole. (You can't even use the word "part" without implying "part of something, a whole"). Draw lines to aid understanding, but remember that the map is not the territory. Erase the lines when the they have helped understand the whole. 
Beware of those who tell you that lines/boundaries are permanent. We must be careful is when we are encouraged to draw boundaries -- between school and society, between college prep and non college prep, between us and our environment. When someone tries to convince us that the lines are real entities and not just temporary tools for better understanding the whole, we must become suspicious. We are being distracted from the true nature of our world. Lines of demarcation are necessary, but artificial borders are not. Borders are used to separate and contain, to control, to manipulate. When someone draws a border, a line between "us" and "them," look to your wallet or to your freedoms. Ask yourself what is that person trying to control or manipulate.
And beware of this same tendency in yourself. When you draw a boundary, ask yourself what it is that you are trying to keep out -- or in?
Reg Harris



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