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Thought of the Week Archives
February 1998
February 2
If you bring forth what is inside you,
what you bring forth will save you.
If you don't bring forth what is inside you,
what you don't bring forth will destroy you.
Jesus of Nazareth
The Gospel of Thomas
February 9
"I therefore propose that beginning sometime in late elementary
school and proceeding with focussed detail in high school and beyond,
we provide our young with opportunities to study comparative religion.
Such studies would promote no particular religion but would aim at illuminating
the metaphors, literature, art and ritual of religious expression itself.
. . . What we must aim for is to provide every group's narrative with
dignity; with a sense that it is a creative means of expressing the mysteries
of life; that its "truths" are different from those of science and journalism;
indeed, that it addresses questions science and journalism are not equipped
to answer."
~ Neil Postman ~
The End of Education, 1995
February 16
"Your freedom could be enhanced by some embellishments on the bare
necessities: better clothes, a bigger home, more free time. But these
improvements require resources. You notice that the people with resources
have jobs with fancier titles and bigger salaries. In order to get one
of those jobs, to get the resources, to improve our life, you must prepare
for the kind of career that offers a bigger paycheck. So you go to school,
which you see as a preparation for life, not life itself. You do your
homework. You become used to existing in a present that is a pale anticipation
of a better future. You become used to striving toward a distant Goal.
School then prepares you to live in a way that is not really living but
a perpetual preparation for life.
~ James Ogilvy ~
Living without a Goal (Currency-Doubleday, 1995)
February 23
"To express oneself--that is, to translate one's feelings and understanding
into actions, forms and words--is to realize oneself, in the literal
sense of making oneself real. Without such realization we are phantoms,
and feel the frustration of not being fully alive."
~ Claudio Naranjo, M.D. ~
Gestalt Therapy (Gateways/IDHHB Publishing, 1993)
Commentary �
by Reg Harris
The concept of self realization, that is of making the self real (being
and acting out of who we really are), is at the core of the Hero's Journey
archetype. However, to realize and express the self, one must first discover
one's true self. This process is the essence of the quest.
Self actualization would normally be a natural process, Naranjo says,
like a seed germinating, a flower blooming, or an orange tree producing
oranges. Our thoughts, words, actions and reactions grow naturally out
of who we are, without forcing, because they are an emanation of our true
character. (Note the similarity here with the Taoist concept of wei
wu wei.)
However, according to Naranjo, when we are young and most vulnerable,
we experience what we perceive to be threats or dangers to our security
or barriers to our desires. We feel anxiety, friction, fear, pain and
frustration. To cope we develop "strategies," which we use to manipulate
our world (and those in our world) rather than to risk dealing with life
openly. For example, we learn that we can protect ourselves or gain what
we want by using guilt, force (bullying) or violence (tantrums or anger).
Or, rather than risk rejection or censure, we learn to tolerate, a strategy
which makes us martyrs or victims. While our strategies help us to cope,
they do not, as Naranjo writes, allow us to "fully alive."
More importantly, these strategies eventually form themselves into
our "character," that is the way we view the world, relate to others,
and give meaning to our experience. While they serve us for a while, they
become so important that they are no longer a means to an end, something
we do, but the end itself, something we are. In short, they become our
"identity."
We begin to cling to this identity and to promote and protect it through
our thoughts and actions, all the while alienating ourselves more and
more from what we truly are.
Applying Naranjo's view to the Hero's Journey archetype, this alienated
self tends to see every challenge not as an opportunity for self expression
and growth, but as a treat to its existence. The alienated self becomes
more and more defensive, more and more locked into the strategies which
form its existence.
This "identity," and the alienation and defensiveness it engenders,
freezes us in the flow of life, fixing us in time rather than allowing
us to grow, change and live. We become like someone clinging to a branch
in a river, afraid to let go, watching opportunities and experience flow
by, all the while bitterly defending our need to cling to the branch.
We protect our identity by rejecting the challenges we encounter or
by dealing with them falsely with our increasingly oppressive strategies.
Openness disappears, flexibility dies, and our ability to respond effectively
(our "response-ability") is lost. Even when we want to act genuinely,
we cannot, and a deep sense of desperation and bitterness develops.
These moments, when we wish to act genuinely and openly but cannot,
become our Calls to the Adventure. We might meet someone whom we genuinely
would like to know, but the only way we have learned to deal with people
is with our strategies, which get in the way of genuine communication.
We might be presented with an opportunity to do something we deeply would
like to do, but the adventure requires risk and change, and once again
our "identity" stands between us and the realization of our dream.
If we are lucky, at some point our desire to be genuine is so strong
that we are dragged into the journey, despite our identity's protests.
The process (the trail of challenges, in journey terms) forcibly strips
away the layers of our false identity. It breaks down the accumulated
defenses and strategies, allowing our true self to be reborn, transforming
our behavior and our lives. It is a painful, unsettling process.
As teachers we can use these concepts in at least three ways. First,
we can be aware of using coping strategies ourselves with our students
and to try to be more open and genuine. We should also be watching for
the strategies students use with us. We can encourage honest, open behavior
and creativity, and gently discourage the coping strategies students have
learned to use to cope with "the system."
Finally, we can examine many of the characters in the literature we
read by exploring their coping strategies: what the strategies are, how
the character developed them; how they are affecting or smothering the
character, preventing him or her from fulfilling a dream, how they affect
the character's relationship with others, and how they may help the character
cope with an otherwise untenable situation.
Hamlet leaps immediately to mind, and perhaps Claudius. A humorous
example might be Bartleby the Scrivener by Melville. A modern book
which explores how we cope with life is Dan O'Brien's The Things they
Carried. Students have responded well to it, and the "stories we tell"
motif fits right in with this concept. Many films also explore this subject,
including The Secret Garden and Fly Away Home, which both
deal with young girls learning to break free of their coping strategies
so that they can grow and embrace life.
The process of the Journey into ourselves is difficult and painful,
but without it we remain just a shell of who we want to be. As Naranjo
states later in Gestalt Therapy, "after cliches and verbiage have
been suppressed, all that will remain is the choice between emptiness
and expression." It is at this point, the abyss, where we choose between
life and death, that the adventure of living truly begins.
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