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January 2000 

January 3

In his essay [�The Perennial Philosophy,� Aldous] Huxley describes four central claims of the perennial philosophy: the world and all its creatures are expressions of an underlying divine reality; by appropriate training humans can come to known this reality; and they can recognize their unity with this divine ground. Finally, this recognition of the divine ground as our true nature is the highest goal of human existence.
According to the perennial philosophy the fundamental nature or substrate of reality is spirit or consciousness, also known as Brahman, Tao, or God. This fundamental reality is beyond all qualities, descriptions and concepts. In �The Great Chain of Being,� Ken Wilber points out that this fundamental reality also manifests or projects itself as the universe. This universe is said to be organized or layered in an ontological hierarchy, or better, holoarchy. This holoarchy of being that constitutes the great chain ranges from matter through increasingly subtle realms of mind, soul and spirit. Different traditions use different terms to describe it, but the general assumptions are the same.
In a materialistic culture human beings usually identify only with the physical and mental levels of the great chain. Through appropriate training, however, we can expand our sense of identity to include the spiritual realm and this movement constitutes development.

Roger Walsh, Ph.D. and Frances Vaughn, Ph.D. 
Paths Beyond Ego: The Transpersonal Vision 


January 10

... We tend to see the past as a huge receptacle of all the things that have gone wrong for us, the background that will never leave us, the times that were better than the present, and the security that we no longer have. The future, on the other hand, is seen as an enormous, forboding void in which all sorts of tragic and wonderful things can happen, full of deadlines and expectations -- all of which take away our experience of the present.
In fact, the most dysfunctional aspect of our culture's view of time is that we are either dwelling on the past or worrying about the future; the present doesn't really seem to exist at all. The challenge of time and stress seems to come from this lack of the present in our lives. Procrastination, being too busy, never having enough time for ourselves, worry about deadlines, fatigue, inability to concentrate, frustration with a lack of efficiency, and fear about the future all arise from our inability to live in the present.
The more you expand the present moment, the more you experience the past and the future as being quite minor. By becoming absorbed in whatever you're doing (including, by the way, making assessments of past experiences and planning for the future), you'll be better able to meet the challenge of living stress-free in the here and now. When you live in the present, you are without stress, because the worries of the past and the future cannot touch you. And the more you live in the present, the more efficient and joyful your live becomes, so that the worries that can lead to stress disappear.
Lorna Catford, Ph.D., and Michael Ray, Ph.D.

The Path of the Everyday Hero (p. 125)

January 17, 2000

The word [Ku'oosh, the shaman-medicine man] chose to express "fragile" was filled with the intricacies of a continuing process, and with a strength inherent in spider webs woven across paths through sand hills where early in the morning the sun becomes entangled in each filament of web. It took a long time to explain the fragility and intricacy because no word exists alone, and the reason for choosing each word had to be explained with a story about why it must be said this certain way. That was the responsibility that went with being human, old Ku'oosh said, the story behind each word must be told so there could be no mistake in the meaning of what had been said; and this demanded great patience and love.
Leslie Marmon Silko

Ceremony, p35-36

January 24, 2000

Seizing and blocking opportunity, confusing polarity, disguising tracks -- these are some of the marks of trickster's intelligence. The last of them leads to the final item on this initial list: if trickster can disguise his tracks, surely he can disguise himself. He can encript his own image, distort it, cover it up. In particular, tricksters are known for changing their skin. I mean this in two ways: sometimes tricksters alter the appearance of their skin; sometimes they actually replace one skin with another.
Lewis Hyde
Trickster Makes this World: Mischief, Myth and Art

January 31, 2000

Schorer has said that the mythological image is what gives sense and organization to experience. A. K. Coomaraswamy went so far as to say that "myth embodies the nearest approach to absolute truth that can be stated in words."  All this is because the poetic, mythical, or mystical mode of vision perceives orders and relationships which, as I have tried to show, escape factual description. The factual language dissects and disintegrates experience into categories and oppositions that cannot be resolved. It is the language of either/or, and from its standpoint all that is on the dark side of life -- death, evil, and suffering -- cannot be assimilated. There is nothing for it but to get rid of it....By contrast, the language of myth and poetry is integrative, for the language of the image is organic language. Thus is expresses a point of view in which the dark side of things has its place, or rather, in which the light and dark are transcended through being seen in the terms of a dramatic unity. This is the catharsis, or soul-cleansing function, of the tragic drama

Allan Watts, The Two Hands of God: The Myths of Polarity, p. 14-15



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