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"In symbolic form [the uninvited gods] represent essential
forces and impulses that we suppress . . . the parts of ourselves that
we send into exile...Dreams can then turn into nightmares. The spring
dry up, songs become silent and inner regidity prevents all movement."
Friedemann Wieland
The Journey
of the Hero
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Lesson Plan: The Call Refused
(This lesson plan is from The Hero's Journey: A Guide
to Literature and Life, teacher's manual, by Reg Harris and Susan
Thompson, copyright 1997 by Ariane Publications. All rights reserved.
Go to Ordering Information for information
on ordering the curriculum. Please honor my
copyright and work. Do not reproduce this material.)
Introduction
The Call Refused is a crucial part of this unit because it shows what
happens when we reject the Call to grow. The great tragedies in literature
often deal with characters who have refused, in one way or another, a
Call: Macbeth, Willy Loman, Romeo and Juliet. Many of our students are
in the process of refusing their Calls, without understanding or realizing
it. The results of this interminable immaturity are obvious. Understanding
the consequences of refusing the Call can help students look more deeply
into literature and have a better perspective on the consequences of their
own choices.
Key concepts
- Refusing the Call is a rejection of the natural process of growth
and responsibility.
- The adventure doesn't go away just because we refuse it; it becomes
a horrible mirror, reflecting our weaknesses and fears; it becomes a
source of bitterness and frustration.
- When we refuse a Call, we will find ourselves facing the same types
of situations (i.e., the same as the one we rejected) again and again
because if we don't confront our fears, needs and weaknesses, they will
haunt everything we do.
- Much of our great literature and film deals with a character refusing
a Call and then suffering the consequences or struggling to rectify
the mistake.
Objectives
- Students will see refusing the Call as a choice to reject the natural,
fulfilling process of growth.
- Students will be able to see how many tragic characters in literature
and film have, in some way or another, refused a Call.
Suggested Approach
Read the introduction to The Call Refused (SB 49, SP 33) aloud in class.
Then ask students to think about decisions by asking and discussing these
questions about Gawain, Buddha, and Terence Mann and Archie Graham in
the film Field of Dreams. (Questions could also become a writing assignment
or journal entry.)
- How did Gawain grow by accepting his Call? If he had rejected the
challenge, how would he have felt? How would he have viewed life? How
would his life have changed? How would Camelot and the Knights of the
Round Table have been different?
- In the "Legend of Buddha," Siddhartha feels discontent with his princely
life. What would have happened if he had rejected his Call to enlightenment?
How would he have viewed his family and life? What kind of ruler would
he have been?
- Look at Archie Graham from Field of Dreams. Was playing professional
baseball his true calling? What would have happened if he had kept playing?
In the film, Archie faced the same choice he faced early in his life:
play baseball or be a healer. Why did Archie step across the line? How
would his "life" have been different if he had not accepted that Call?
- In a sense, Terence Mann (Field of Dreams) is a good study
of a man who has refused his Call. He was seen as a great writer, thinker
and leader, but he became disillusioned and dropped out. How did his
life change when he rejected his call? What kind of person did he become?
How does his apartment door (with its locks) symbolize the consequences
of refusing his Call? Why does he go with Ray?
During the discussion, which could take most of a class period, be
sure to bring out the "Key Concepts" listed above. Your students should
be aware that if we don't deal with a weakness, fear or need when the
opportunity (Call) presents itself, we will find ourselves facing similar
situations which attack that weakness again and again. We create our own
labyrinths, going around and around, seeing the same scenery, looking
for an exit. The truth is, deep down inside we know where the exit is,
if we can only find the help (an Ariadne) and the courage to take it.
We see the uninitiated all around us, trapped in roles because they
ignored or missed a call to growth:
- the martyr who can never say no and ends up living her life for others
because of that weakness,
- the diffident man for whom every opportunity evokes fear, anger,
bitterness and frustration,
- the cynic who is negative and bitter about everything, who suspects
everyone, and thinks only of herself,
- the innocent/novice who never accepted the Call to growth and self-responsibility,
who looks for a "parent" in every situation to rescue and care for him,
- the warrior who sees every situation as a challenge to be met with
strength, brute force, and power.
With this introduction, you are ready for Groundhog Day, a film
that illustrates metaphorically the trap we face when we refuse the calls
in our lives. (See the Lesson Plan for Groundhog Day, page 115.)
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